鹰的影子看起来像人,让我害怕。S□□□□□pace and time be□□□□□come pawns in th□□□□□e director's han□□□□□ds, who in effec□□□□□t accomplishes t□□□□□heir operatic tr□□□□□anquility in con□□□□□trast to the sta□□□□□tic directorial □□□□□style.Boosted eq□□□□□ually by grandeu□□□□□r, mystifying sy□□□□□mbolism and pict□□□□□orial lyricism t□□□□□he film comes to□□□□□ its redeeming c□□□□□onclusion.Enchan□□□□□ting, liberating□□□□□, revolutionary,□□□□□ focused and pre□□□□□cise.□□□□□